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Whene😝😍v😔😌🤫er 😴🤐 😝I_🙄 see🤮 La/ Pau😶ra I think 😉😷of it as(🤣#` a🤕 😒 comp
]🤤anio+😚n piece to Eyes!🤨. W😶😁ide S😝 hu🤫🤔🙃.t, or maybe it is th🤒🤑e other way around. A!du^🙄🤨🤒 ltery 🤑🤢?makes both films😝]😷 tic😒😷k but in d😜
ifferent ways😑😚🤣. ]🤐I t^😆hink Philli😌p Fren😝😋?ch was right on the money whe🤒😬🤥)n h😔😪😁-e pointed o-ut a 🤫`/Wizard of :😂Oz🤫😴 thin😑g )😌in Kubrick🤢' 😀\s last work. Lik😃😌😍e Doro🤨#😙thy, Tom and Nicole go th :rough fan$ ta😒😚%sies and nightmares and😬@
% at the/]🤐$ e🤨🤮😶😏🤕nd D😁😀o😛😋😌ro\😔😬thy's r+^🤮eas:su`😷/ring childi😄$😪😉sh mott😋🤥🤪o 😋the]re's n😁^o place ;😬like home is ironically update🤐?d to the 🙄
adult circumstantial adag;🥰e😙$ there's no 😂😄sex%😃🤥😪 like mari🤐😙t😆😇😄al 😷]se😶😬!`x. Kubr😒🤨ick's tak/🤐?🤮😄e is int]🤩;,ell😚😘/😷😗ec😴😬tual,@😷) he🤥 never leaves the wor)🤩🤥ld of ideas to 😁[touch 🙂😜😁😁the ground. 😊 He$😂 taun= 🤣#ts the aud😃 😊😴ie😌nc😶😆e f😀😃🤥:🤔irst😇🤮 😇 wi🤫😷th a😇😆;n e-😆]rotic movi+😄😘🤗🤭e and😴🥰\@ 🤮😂then wi 😃th _😷a 😙-😐🙃😪t🤐_.hr🤐😅iller and refus😚🤢es🤑😀😙 to deliver😶 e😑_ither of th🤪/em. H🤭🤔😔e was \; 🤑marr😏!+ied to his third wife for 40 years/😷😍, u%😉😶nti,🤩+l 😊(🤗?he di_😇%e🙃`d.!🤔 R😂😏os#😘;s🤐=ellini😊😚😏 w/😪as s*+😏.t🤫😬.😐😗i:$l🤣]😴l married🤮😅` 😆🤫😌to I+🙄🤩[ngri/.😪d Bergman 😛😷😑wh😐=:😘en he😶]🤥 di 🤒re🤨cted La Paura🤥🤔; th?😋ey had been ad)😌ult-🤗\.erous😑 \ lovers and their 🤥infidelity wid🤮 😉😂ely 🤪😪😜😑😅crit🤣🤨icized[😪 🥰😌. La Paur😶 /a is a t😙ale, a noirish o_*?😍n🙂😅e. The noir intrigu🤔#e is_-🤗 sol😙:ved and the t😗😆al😒/😍🤐e h,=as a happy ending.😁🤒 The city is noir; 🥰`:😐🙃th😪😗🤥e c_🤢

ountry is tale, th🤣😌😇e ter🤤ritory where childhoo🤔😆\🤔d i😪🤫,😏s ,😙,🙄😃possible. T-(😛🤒he tr🤫🤤:ansit?@ion is operated in the most regular w*😪@a#*^y by ca🤫🙂r, a 🤫😊😪long-held😅 s😶\h🙄ot taken from the f🤤 😜r🤪😝😬(#ont😐🤑 of the ca😄[😃)r as_😔😀 🤥😌😔it r(😗🤒ides into _🤗t😛🤑he road, 🤔[😊a😉;😶s if we were ente🥰😒🤩😄ring a di🤒🙄f-fe😍rent dime@😝nsion. Irene (🤐😝😶🤪Be🤨😶😍@r(😙😆🤔/gma😐😁😌😘n)😙😜 s*%,tarts the movie we just😏😝 see 🤢🙂🙂a dar-`😒😏k city😃🙂 l;andsca?🙄pe but her voice😛🤑😀🤩-=.ove? 😄r😇[ narr🙄🙄😇🙂🤐ation🙂🤢🤩 te🤗🤔🙃ll😶 s😂*😁 us\🙃🥰 😙😶of her ]😄😀angs🤔 t😇😋 and informs us tha😙😂$😀t t😗😑😆h😍#e/%😉 stor😜😄y 😄?🤢is a flashback, hers.🤥 😀 Bergma😆🤤-🤐😀n's been😋🙃\; cheat😏in😍
g+🥰 on her husband. 😗😄At 😏^fir😝s)😍😚t guilt is j🤕^u\+st psychol😍#😘],ogical to%r[😶 #t😌😍🤔ure*/ but soo🤕😑n😊🙂😔$🤔 exp😍😙😊😃😒ands
![. i#nto economic bl🤐😙🤫ack🤢🤕mai😌😑😪🤮l and t!🤔`\^hen grows into so)^mething el😊,se. 😛*Fro🤐?m begi🤮🤗;/nn😃i$ng😆😑🤗( t/😶🤭o`😑 😔/end the movi😴e f`o😅🤫@cuses on🤩😏😀🙃 what Bergman 😔🤮feels, =😉?ever😋😬y other character is 😛?🤐there 😀😌to make her /f😙)eel 😃🙃something. Only when t^🤤he director gives away the plot befor🥰*e 😶🤫🤮the #🙄main ch 🤗🤗😔🤪a`racter can fin🤐🤪 🤮d out do🤕😁😋es he wa_😊:nt us 🤮🤗to f\:😍😚eel some)🤑😴thin🙄?g B*😑🤥ergman ?😂🤒😌still c ]😃=a 🤨*🤭n't. When she finds out, we 😜(have already/?_ experi😪😙enced t😄🤮he war🥰😙ped mechani🤕😐🤪cs o🤮🤒f🤫+
😅] the s@🤑ituat😬😆io]n and we may 😋[😅focu]😄?s once again o@😍n the emoti😏?+😅onal i=🤤😬mpact it has o😙🤣😋🤫n B🙃🤗ergman🤒😪-'s Ire😉😏^$ne. In La $🤑;Pau🥰🤤ra treasons ar😌?e n😏.🤨🤤🤕ot😍🤨😘 ima 😷😌gined b😶😋ut real, ni_(😋ghtma,,😀r😴es are deli🤑😆😋ber;😍😄ate an😅?🤔d th😋;🤫e 😚)😌😏c🤕.ouple's venom supp🙄 )*urates 😏@😆🤭in bitte🙄😍😌r ways. Needles🤐😉s to @😜_say, 😏🤨🤒I🤩ngri🤐*d has a
=🤑not🤮her of h! \er 😊-😔r🤣🤔ough🤑😋 ri😆🤑des in the movies bu`t Ross😶ellini!😗+ (😝😂 d😔🤑😴oesn'[😑t😷🤨🤤 dare put h😒_e😜r aw[😒a\`
🤩😄y as he did🤗.😏 in Euro%🤗😐\pa 5(🤤]$😝1🤤😅🤢, nor doe🤔:😘😴s he ab😗andon her to the inscrutable im🤐]passivity😑😍 of
nature (Str 😆omboli).😊😀 His gift is les:😶s tr\😁+anscendent^🤪 😝😋😋(and fra+🙄🤣g🤢:i😛 @_le than the[🤢😝😀 conclusio😙😗@n;😉🤒 o😶😀😂f Viag😷🤥gio i😊😌🤨😆n Itali😗😂a. He jus
🤤t giv(😌🤒😒e😚😗(🤒s his😀😋😷😅 wife as 🤣!muc😋😶h of a)🙂😚% f🤔airy ^😐tale ending as😒 a😘 r🤩🤨😄eal`😛 woman c😶🤔😐an have, a human la@🤭ndscape where she ,,ca😛\ n finally fee😶[*😉l at 😘😄🤭home. Ba😏!😝`/c ?k to the 😙😉c😆😄ountr=😍🙂y, a half lit 🤣=interior scene 🤨😋 where sh🤥😚%adows suggest the comfort of s😅 leep. A😛fter 🤔`😴😙😔all😁😚🤩^, it's the😜😅 fairy go_%dmothe😋😬😁😀r who s)😬😉peaks the🤤🤔*😒 la😜😆s😗🤤t🤣🤤 words i n🙄
the mov+;😂🤕ie.