O 😇somma lu😐🤫🤐ce

Th🤗😔🤒😐)e line😄-s !🤨😴start 😉🤢wit😇😆h “O So[😒😏mma`🤕 Luce” w😏😊hi 🙄`*)ch i😇 s the title of th e🤔`😴😁] film🙄 😋 a🙄@^n🤢🤥🙄d al🥰so t;😴😶😒he 67th line of 😴@the😘😜 33rd🤫🤑😂 cant\ 🤩🤤😏o in😀 “Para,dis😗o😜😀” of Dant🤐e’s “D #🤨🙂ivi🤥 =ne 🤑Comed😁+😔😙y” to the end o_😑😍😆f^😙 “Paradi🤔so”. The film is comple😔🤔ted with 😬 musi😑$c a😀🤫😉$nd lines😘 instead😪#😪😪 o😔😍😛🤥f emotions an😪😅😑*d 😂_n$-arrations. This, 🤥😔i\)s a recent att😘_🥰empt
(t🤣`o com%😷😆bine 😀:fil=m with literature.　　The🙄/😗, film;🙂 $🤤😀_begi😊🤑ns 😀😗😑with a 🤭😛😏bl😋🤒ack (😄[scr;!🤮😘een a😇/ 😐nd th😑`e music of Ed🙂🤮😪g/🥰🤑ard Var😷🤢😒es😆`e. The BGM is “D🥰🤗eserts” that was recor
^:de-😴d in 195🤭4. 😁🤥After 🤥🤪 🤐some moments of d😐😛ark-😋ness, the music ends😌😐 a#😚nd a middle-aged @😝man sits 😀😉on a hill, 🤥🙂😊 reciting something . He is G_)iorgi_^😒 o P*🤤asserone, an .😪Italian lit😴🥰.😬erature p😉]😪r^%?/🙄o

fessor,: and+🤪 h😇😀😘e is 😂?🤤😏reading out of the 😐/🤥🤒las+t part 🤑😌/😚of ‘Par🤨🙃adiso’ of D;😶ante😑^😴😋’s 🤑]Div@%$in😗.-e Co medy.😁😬 Jean-😜😝M🤨🤤a(!rie Straub 🤑😗😔[e/😉xpre😉sse/😝🙄d how he thinks o😆🤒f D😐ante thr! ough a s😅😪ubtle acce
nt _😂/and diale😚😂ct. The director who(\🤭 ( 😶😋had encod🤪ed m^a/ny gr😘:e]🙄😀at artist:_🤨😑😆s and m😷 /usicia😊😚ns i\😊ncluding Bach, 🤒🤔🙂comp=-🤣let😐😄/e th🤗😃😉e*[ combination o^f Dant🤔[😙_@e an😋😘😜d Vares🤑😔😛😒e, w🙂hich could s=😂`😚ee😔😑😬m strang😬🤔`e. (Lim Kyung Yong)